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About Ettijahat
Who we are
Board of Directors and General Assembly
Ettijahat’s Story
Working Areas
I. Area One: Support
I. Laboratory of Arts
Year 2014
Year 2015
Year 2016
Year 2017
Year 2018
Year 2019
Year 2020
Year 2021
Year 2022
Year 2023
I. Life
Year 2021
Year 2022: A special Edition in the context of the Ahliyeh (civil) initiative
Year 2024
I. Rawabet
Year 2024: Production Grants
I. Zad
II. Area Two: Empower
II. Ajyal
Year 2019 - 2020
Year 2020 - 2021
Year 2021 - 2022
Year 2022 - 2023
Year 2023 - 2024
Year 2024 - 2025
II. Ajyal: The Joint Edition with Saint-Joseph University of Beirut
Year 2023 - 2024
Year 2024 - 2025
II. SANAD
Year 2022: SANAD The Digital Realm
Year 2023: A special Edition in the context of the Ahliyeh (civil) initiative
Year 2023: SANAD The Digital Realm
II. Research
Year 2013
Year 2014
Year 2015
Year 2016
Year 2017
Year 2018
Year 2019
Year 2021- 2022
Year 2023 - 2024
II. Maharat
Year 2021
Year 2022
Year 2022: Business Models
Year 2023
Year 2024
III. Area Three: Share
III. Sobol
Watch | Listen: The Dramaturgy Series with Marie Elias
III. Douroub
Watch: Promoting Syrian Intangible Cultural Heritage with Hassan Abbas
Read: Research on the Social Value and Impact of Projects Aiming to Protect Syrian Intangible Cultural Heritage
Year 2024: Special Support for Organizations working in Intangible Cultural Heritage
Previous Activities and Initiatives
Create Syria
Cultrual Priorities: Outcomes & Resources
Art Lives
MINA: Artistic Ports and Passages
AMAKEN: Research, Production and Networking Spaces
The Sadiq Jalal al-Azm Memorial Award for Culture Research
Now Then: Testimonials on Independent Syrian Cultural Work
Future Stages: A Creative Project For Emerging Syrian Writers
Tota Tota… and the story begins
Open Gates
Agora
Miniature
Research and Publications
Reports
Studies and Research
Scribes
Our Resources
Vacnacies
Volunteering Opportunities
News
Contact Us
Scribes
The Stories We Tell Against Storytelling
In Dark Times: Epistolary Films for Absent Friends
The value of creativity in the Mediterranean Cauldron
The Role of Journalistic and Critical Writing in Cultural and Artistic Support Projects
Surtitling in Syrian Theatrical Performances Presented in Berlin: A Discussion of Essence and Consequences
Bottom-up cultural policy reforms in times of oppression? By Philipp Dietachmair
Art Education within the Context of Germany's “Welcome Culture”
International exposure of Syria artists
The Necessary Element: Working with the Syrian arts scene By Milica Ilic
New Concepts for a New Set of Actions by Serhan Ada
Forms of Establishing and Structuring Syrian Arts Groups by Mike van Graan
Dis-organ-ised: the body as a conflict zone in Syrian contemporary art. By Delphine Leccas
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